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Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.磁路丰收特别勤务监督官赵昌风法医秦明之车尾游魂我的魔界女友魂断奈何天使女的故事第二季一飞冲天1952长剑风云第二季粤语假人我的机器人女友小红帽神话2010非战区第一季湮灭2023我心深处1954波尔达克第五季一个不留换心爱结樱之塔艾梅里尔有机食谱：啤酒篇乔布斯：最后一件事情全裸导演 第一季亚人 真人版心碎画廊豪勇七蛟龙哈勃望远镜3D巴黎恋人国语野蛮师姐辣妹梦幻组企鹅小守护少女☆歌剧 Revue Starlight原始求生记 第三季西环浮尸太空狗：热带冒险陈真传奇非爱不可红琼寻宝假期她的替身男友迷走古山劫
Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.磁路丰收特别勤务监督官赵昌风法医秦明之车尾游魂我的魔界女友魂断奈何天使女的故事第二季一飞冲天1952长剑风云第二季粤语假人我的机器人女友小红帽神话2010非战区第一季湮灭2023我心深处1954波尔达克第五季一个不留换心爱结樱之塔艾梅里尔有机食谱：啤酒篇乔布斯：最后一件事情全裸导演 第一季亚人 真人版心碎画廊豪勇七蛟龙哈勃望远镜3D巴黎恋人国语野蛮师姐辣妹梦幻组企鹅小守护少女☆歌剧 Revue Starlight原始求生记 第三季西环浮尸太空狗：热带冒险陈真传奇非爱不可红琼寻宝假期她的替身男友迷走古山劫
长篇影评
1 ) 今晚BBC对肯特里奇的访谈
"follow the less good idea; of course you start a rehearsal from something specific ; a music ; a choreography; but then on the edge of the carefully rehearsed, emerges something like a sparkle; an improvisation at the end of the choreography; you realise that the peripheral can be central. There's something political here, the big ideas, communism, capitalism, end of history, there is catastrophe lurking in big certainties. it's on the edge of those certainties that something organic might flourish. " (凭记忆，大意）。
同行的观众觉得他“让罗马活起来”。不知道。感觉这个纪录片从一开始就把肯特里奇作为一个具体的“城市空间设计师”来讲，一开始就从功能性公共艺术来讲，基本上也是丢掉了肯特里奇的优势特征了。
太短了！肯特里奇在绘画、舞台、音乐以及表演，都太有品味了，更厉害的是对历史和城市记忆的关注……中国艺术家差太多。
Kentridge真的让人不服不行，政治议题上的深刻与形式集大成的复合有机的程度实在太高，他在影片里有句说的好“我的工作室就像全世界”，各种图像音乐素材为他所驾驭，至少在音乐元素的混合生成上是我觉得目前最厉害的，对各个形式的语言的认识和控制力太猛，全才，综合性大师。
立体的艺术家
创作部分介绍得较少，主要作纪录用
give and forgive 项目总监因为一次醒悟为肯德里奇这个项目跑了10年，真不容易最后还是非常震撼，依然还是用柏拉图洞穴之喻，里面女歌手很霸气
Wunderbar!