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影片分10个小节讲述自与约翰分手已有30年后，玛丽安隐约感到约翰还需要她，于是她决定到约翰乡下的家里去看望这个别了30年的老男人。他过着富足但与世隔绝的生活，在两个人之间，尽管很多年过去，当初的情感依然非常真实。在那里，玛丽安认识了约翰与前妻的儿子恩里克，以及恩里克21 岁的女儿卡琳娜，他们住在离约翰家不远的地方，但这老少三代人似乎并不和谐，玛丽安感到了卡琳娜对父亲恩里克的爱和约翰对儿子的不满，三个心灵都非常孤独的人之间有着似乎无法消除的隔膜和爱恨交织的复杂情感。 玛丽安虽然和约翰分手三十年，但隐约觉得约翰还需要她，于是决定去看望这个阔别已久的恋人。约翰一个人过着与世隔绝的生活。尽管岁月远隔，但两个人相见之后仍然能感到两人之间的感情的真实存在。在那里玛丽安认识了约翰与前妻的儿子恩里克还有已经二十一岁的孙女卡琳拉。他们住在离约翰不远的地方。但他们之间，约翰与恩里克、恩里克与卡琳拉之间都有着隔膜。卡琳拉如父亲所愿考上了音乐学院，但恩里克却自杀未遂。约翰知道了这一切之后，很平静。晚上，他来到玛丽安的房间，要求和她一起睡，两人相拥而眠，似乎一切就在这样的温暖中消逝了。心连心我的野蛮室友6:45绝命岛残团真实的人类 第一季我的冤家是条狗真情难诉我的恶魔兄弟黑骑士2001保持沉默绿色风暴呼吸花落宫廷错流年第二季最后的疯狂2017宅门劫海军罪案调查处：夏威夷 第三季小镇疑云第一季舍己救人愤怒1978惊险之道 坠落万圣节群魔迷城（2010）咖啡因子不语：夜行郎中国出了个毛泽东夫人慈膳救援六盘山之恋桑迪顿第三季省港大追击复仇女郎大悲大喜24小时单身男女2（国语版）铁猴子传奇之花影危机夜之女王2001风云小棋王草莽威龙
影片分10个小节讲述自与约翰分手已有30年后，玛丽安隐约感到约翰还需要她，于是她决定到约翰乡下的家里去看望这个别了30年的老男人。他过着富足但与世隔绝的生活，在两个人之间，尽管很多年过去，当初的情感依然非常真实。在那里，玛丽安认识了约翰与前妻的儿子恩里克，以及恩里克21 岁的女儿卡琳娜，他们住在离约翰家不远的地方，但这老少三代人似乎并不和谐，玛丽安感到了卡琳娜对父亲恩里克的爱和约翰对儿子的不满，三个心灵都非常孤独的人之间有着似乎无法消除的隔膜和爱恨交织的复杂情感。 玛丽安虽然和约翰分手三十年，但隐约觉得约翰还需要她，于是决定去看望这个阔别已久的恋人。约翰一个人过着与世隔绝的生活。尽管岁月远隔，但两个人相见之后仍然能感到两人之间的感情的真实存在。在那里玛丽安认识了约翰与前妻的儿子恩里克还有已经二十一岁的孙女卡琳拉。他们住在离约翰不远的地方。但他们之间，约翰与恩里克、恩里克与卡琳拉之间都有着隔膜。卡琳拉如父亲所愿考上了音乐学院，但恩里克却自杀未遂。约翰知道了这一切之后，很平静。晚上，他来到玛丽安的房间，要求和她一起睡，两人相拥而眠，似乎一切就在这样的温暖中消逝了。心连心我的野蛮室友6:45绝命岛残团真实的人类 第一季我的冤家是条狗真情难诉我的恶魔兄弟黑骑士2001保持沉默绿色风暴呼吸花落宫廷错流年第二季最后的疯狂2017宅门劫海军罪案调查处：夏威夷 第三季小镇疑云第一季舍己救人愤怒1978惊险之道 坠落万圣节群魔迷城（2010）咖啡因子不语：夜行郎中国出了个毛泽东夫人慈膳救援六盘山之恋桑迪顿第三季省港大追击复仇女郎大悲大喜24小时单身男女2（国语版）铁猴子传奇之花影危机夜之女王2001风云小棋王草莽威龙
长篇影评
1 ) 伯格曼的低语
伯格曼的遗作。演绎出了和他之前的作品不一样的主题。全片仅仅十几个场景，每一个场景都充满了意料之外的转折。虽然说电影的主题与以往不同，但是一些思想却在伯格曼的电影里一直通用。影片的最后，伯格曼以闪回加独白的形式想要向观众诉说些什么，我并不清楚，也许是感叹生命之谜吧。
向英格玛.伯格曼致敬！
2 ) 一些台词
144
00:15:52,380 --> 00:15:55,140
Though sometimes, I see myself
in voluntary isolation...
145
00:15:55,280 --> 00:15:57,550
and I think I'm in hell.
146
00:15:57,690 --> 00:16:00,480
Like I'm dead,
but I don't know about it.
147
00:16:01,260 --> 00:16:03,420
But I'm fine.
148
00:16:03,660 --> 00:16:09,320
I've plagiarized my past now that
I have the page of answers.
149
00:16:10,070 --> 00:16:11,970
Doesn't sound like fun.
150
00:16:12,170 --> 00:16:15,360
That's it, Marianne.
It's not.
151
00:16:15,570 --> 00:16:19,030
And who the hell said
that damnation would be fun?
152
00:16:20,180 --> 00:16:25,670
- What does your "page of answers
say"? - Want to know?
153
00:16:25,950 --> 00:16:30,680
- I asked the question, didn't I?
- It says my life was shit.
154
00:16:31,290 --> 00:16:35,480
A stupid and totally senseless life.
155
00:16:36,620 --> 00:16:40,220
Is our marriage part
of your hell?
156
00:16:42,500 --> 00:16:46,460
- To be honest, yes.
- I'm sorry to hear that.
157
00:16:47,170 --> 00:16:49,800
An old priest once told me:
158
00:16:49,940 --> 00:16:53,430
"A good relationship has two elements:
159
00:16:53,680 --> 00:16:57,270
a good friendship
and an unshakeable eroticism".
160
00:16:57,680 --> 00:17:03,050
Nobody can say that
we weren't good friends.
161
00:17:04,590 --> 00:17:07,560
- Good friends.
- Of course.
162
00:17:08,990 --> 00:17:14,430
- You were unfaithful. - I...
- I was too.
163
00:17:14,960 --> 00:17:17,260
- It's so sad.
- But it was long ago.
164
00:17:17,400 --> 00:17:20,160
- It's still painful.
- Not for me.
165
00:17:20,970 --> 00:17:23,440
No, I suppose not.
===========
190
00:20:03,970 --> 00:20:07,960
Do you know Hindemith's
cello sonata, opus 25?
191
00:20:08,600 --> 00:20:11,440
I don't know anything about music.
192
00:20:12,170 --> 00:20:15,370
Dad wants me to play it
for the audition.
193
00:20:15,510 --> 00:20:18,840
- It's too hard!
- And doesn't he think so?
194
00:20:18,980 --> 00:20:21,470
How were you in the days
before your period?
195
00:20:24,420 --> 00:20:26,650
A premenstrual monster.
196
00:20:27,620 --> 00:20:34,650
I would go to sleep as an angel,
and wake up as a demon.
197
00:20:35,100 --> 00:20:39,260
My mind gets shattered.
And it's very hard for me to get up.
198
00:20:39,400 --> 00:20:43,340
Dad is a morning person.
199
00:20:44,070 --> 00:20:46,270
And I yawned.
200
00:20:46,410 --> 00:20:50,940
We were working on
the fourth movement.
201
00:20:52,180 --> 00:20:56,170
That damned Hindemith wrote:
202
00:20:56,350 --> 00:21:02,480
"Lebhafte Viertel ohne jeden
Audsdruck und stets Pianissimo"
203
00:21:03,290 --> 00:21:06,490
- You know?
- It looks difficult anyhow.
204
00:21:07,430 --> 00:21:12,330
So I sat there with my
shattered mind and I tried.
205
00:21:13,700 --> 00:21:18,430
I begged him to let me off
the hook, to no avail.
206
00:21:18,670 --> 00:21:23,340
He made me play the same part
at least twenty times!
207
00:21:23,480 --> 00:21:28,640
Finally I said. quietly:
"I don't give a damn about this".
208
00:21:28,780 --> 00:21:33,240
I said that it wasn't a class,
it was animal torture.
209
00:21:33,390 --> 00:21:36,360
Henrik was also angry,
but he laughed and said that I should...
210
00:21:36,490 --> 00:21:40,480
try from the beginning, where it says:
211
00:21:40,630 --> 00:21:44,460
"Lebhaft, sehr markiert...
mit festen Bogenstrichen."
212
00:21:44,600 --> 00:21:49,400
I was so angry that I couldn't.
He said I was doing it on purpose.
213
00:21:49,540 --> 00:21:54,340
I said that he didn't have the
skills to teach: I was unfair.
214
00:21:54,480 --> 00:22:01,070
Dad is the most patient, sensitive and
courteous teacher there is.
215
00:22:01,480 --> 00:22:05,440
He said it had nothing to
do with the teaching,
216
00:22:05,590 --> 00:22:08,350
but rather with willpower
and discipline...
217
00:22:08,490 --> 00:22:12,320
and that I was lazy.
That I was lazy!
218
00:22:16,230 --> 00:22:21,170
Then I got up and left the
cello because I was trembling.
219
00:22:22,370 --> 00:22:28,140
I said that it was enough for the day
and that I was going out for a walk.
220
00:22:36,920 --> 00:22:40,910
He turned pale.
I'd never seen him like that.
221
00:22:43,390 --> 00:22:47,160
And he said:
"You're not leaving".
222
00:22:48,730 --> 00:22:52,260
I put my boots on and
headed for the door.
223
00:22:54,100 --> 00:22:59,300
I didn't hear him approach,
but he grabbed me by the shoulders...
224
00:22:59,440 --> 00:23:01,340
You're not leaving!
空水洼景 惊叫声 听回来的趟水声 见回来的趟水人
235
00:25:51,150 --> 00:25:57,080
Then I became aware that
from now on, I know nothing.
236
00:25:59,490 --> 00:26:06,260
I know nothing about my life,
what I'll do or become.
===================
639
01:14:23,420 --> 01:14:30,190
"Dear Henrik, I have to tell you
something of which we've never spoken".
640
01:14:31,830 --> 01:14:35,630
"I've wanted to talk
to you about Karin".
641
01:14:36,270 --> 01:14:41,500
"But it was never necessary
because I was always there".
642
01:14:42,570 --> 01:14:46,410
"Then I got sick
and I was there no longer".
643
01:14:47,550 --> 01:14:53,710
"Of course I was there,
but you kept me apart".
644
01:14:55,490 --> 01:15:02,450
"You and I love each other.
I was sure about our love".
645
01:15:04,230 --> 01:15:07,220
"But no love is strong enough...
646
01:15:07,370 --> 01:15:13,600
to stand a devastating
effect like my illness".
647
01:15:14,840 --> 01:15:20,540
"I see that you love Karin, but that
you also tie her to you".
648
01:15:22,080 --> 01:15:26,850
"It's good that you were her
teacher, but there's a limit".
649
01:15:28,650 --> 01:15:32,610
"When I'm no longer there,
the limit will be unclear".
650
01:15:33,760 --> 01:15:35,820
"I know that Karin loves you".
651
01:15:37,830 --> 01:15:43,600
"But you mustn't use her love.
You'll hurt her".
652
01:15:45,500 --> 01:15:48,600
"That could be a permanent wound".
653
01:15:51,280 --> 01:15:56,610
"That's why I ask
you to let her go".
654
01:15:57,650 --> 01:16:01,420
"You shouldn't take
advantage of her kinship".
655
01:16:01,750 --> 01:16:08,280
"Don't take advantage of her because
you're her self-proclaimed teacher.
656
01:16:11,160 --> 01:16:13,220
"Dearest Henrik".
657
01:16:14,430 --> 01:16:20,100
"You're so sensitive,
so considerate, so kind".
658
01:16:21,470 --> 01:16:26,340
"I know it, without a doubt,
after so many years together".
659
01:16:28,450 --> 01:16:32,850
"But you must be careful
not to burden Karin...
660
01:16:33,250 --> 01:16:38,620
with the orphaned love that will remain
when I'm no longer there".
661
01:16:41,560 --> 01:16:46,390
There's more,
but I don't want to read any more.
662
01:16:47,230 --> 01:16:51,030
I can't.
It hurts so much! （karin痛哭）
663
01:16:52,470 --> 01:16:55,410
I can hear my mother's voice!
664
01:17:01,680 --> 01:17:03,240
Karin...
665
01:17:04,780 --> 01:17:08,720
Why did you reach out to me?（其实marianne不想get involved）
666
01:17:09,290 --> 01:17:14,120
- You're very involved.
- You could say that.
667
01:17:14,760 --> 01:17:18,790
- And you know about granddad抯
plans. - He told me.
668
01:17:19,630 --> 01:17:25,540
I don't expect advise,
I need to hear my voice aloud.
669
01:17:25,770 --> 01:17:29,710
I believe things will
clear up this way.
670
01:17:29,840 --> 01:17:31,400
Go ahead, speak.
671
01:17:33,850 --> 01:17:40,220
- Mom saw.
- Yes, I think so.
672
01:17:40,550 --> 01:17:44,320
And everything she warned
about has happened.
673
01:17:45,460 --> 01:17:51,620
- I can't accept grandfather's
offer. - Why not?
674
01:17:52,060 --> 01:17:54,620
If I leave Henrik, he'll die!
675
01:17:56,630 --> 01:18:01,400
If I leave him, he'll die...
I'm sure about it, Marianne...
676
01:18:01,540 --> 01:18:05,410
He doesn't even have
his orchestra anymore!
纠葛 一个老年人 半夜起来
开始是呜呜的一种疼痛似的声音
834
01:36:35,420 --> 01:36:39,750
- What's wrong? Johan?
- I don't know.
835
01:36:41,630 --> 01:36:49,560
- I think it's anguish.
- Anguish? What do you mean?
836
01:36:50,800 --> 01:36:54,460
- I see! You're sad!
- I'm not sad...
837
01:36:55,510 --> 01:37:01,170
It's worse. It's an anguish
from hell. It's bigger than me.
838
01:37:01,950 --> 01:37:05,180
It's trying to make way through
every orifice in my body;
839
01:37:05,320 --> 01:37:13,880
my eyes, my ass. It's like a huge
mental diarrhea!
840
01:37:18,430 --> 01:37:21,450
I'm too small for this anxiety.
841
01:37:21,630 --> 01:37:23,360
Are you afraid of death, Johan?
842
01:37:23,530 --> 01:37:26,470
More than anything,
I'd like to scream.
843
01:37:26,700 --> 01:37:31,900
What can you do with a baby
that won't be comforted?
844
01:37:32,310 --> 01:37:36,410
- Come, lay by my side.
- There's no room.
845
01:37:37,710 --> 01:37:42,120
- We've slept in smaller beds.
- We won't be able to sleep.
846
01:37:42,590 --> 01:37:47,020
It doesn't matter. Not in
the last days of our lives.
847
01:37:47,160 --> 01:37:52,360
I have to take off my shirt.
It's damp from my diarrhea.
848
01:37:52,560 --> 01:37:54,120
Come on.
849
01:37:59,900 --> 01:38:02,700
You take it off too.
850
01:38:03,210 --> 01:38:04,470
Yes
====================
Thomas Adès (born 1971) is a British composer and pianist. You can find his transcription of Les baricades mistérieuses by Fran?ois Couperin on this EMI recording:
http://www.arkivmusic.com/classical/Drilldown?name_id1=2518&name_role1=1&comp_id=283&bcorder=15&name_id=66&name_role=3
For anyone interested in a piano recording of Les baricades (I prefer the original for the harpsichord myself!) there's an excellent recording by Alexandre Tharaud on Harmonia Mundi.
00:15:52,380 --> 00:15:55,140
Though sometimes, I see myself
in voluntary isolation...
145
00:15:55,280 --> 00:15:57,550
and I think I'm in hell.
146
00:15:57,690 --> 00:16:00,480
Like I'm dead,
but I don't know about it.
147
00:16:01,260 --> 00:16:03,420
But I'm fine.
148
00:16:03,660 --> 00:16:09,320
I've plagiarized my past now that
I have the page of answers.
149
00:16:10,070 --> 00:16:11,970
Doesn't sound like fun.
150
00:16:12,170 --> 00:16:15,360
That's it, Marianne.
It's not.
151
00:16:15,570 --> 00:16:19,030
And who the hell said
that damnation would be fun?
152
00:16:20,180 --> 00:16:25,670
- What does your "page of answers
say"? - Want to know?
153
00:16:25,950 --> 00:16:30,680
- I asked the question, didn't I?
- It says my life was shit.
154
00:16:31,290 --> 00:16:35,480
A stupid and totally senseless life.
155
00:16:36,620 --> 00:16:40,220
Is our marriage part
of your hell?
156
00:16:42,500 --> 00:16:46,460
- To be honest, yes.
- I'm sorry to hear that.
157
00:16:47,170 --> 00:16:49,800
An old priest once told me:
158
00:16:49,940 --> 00:16:53,430
"A good relationship has two elements:
159
00:16:53,680 --> 00:16:57,270
a good friendship
and an unshakeable eroticism".
160
00:16:57,680 --> 00:17:03,050
Nobody can say that
we weren't good friends.
161
00:17:04,590 --> 00:17:07,560
- Good friends.
- Of course.
162
00:17:08,990 --> 00:17:14,430
- You were unfaithful. - I...
- I was too.
163
00:17:14,960 --> 00:17:17,260
- It's so sad.
- But it was long ago.
164
00:17:17,400 --> 00:17:20,160
- It's still painful.
- Not for me.
165
00:17:20,970 --> 00:17:23,440
No, I suppose not.
===========
190
00:20:03,970 --> 00:20:07,960
Do you know Hindemith's
cello sonata, opus 25?
191
00:20:08,600 --> 00:20:11,440
I don't know anything about music.
192
00:20:12,170 --> 00:20:15,370
Dad wants me to play it
for the audition.
193
00:20:15,510 --> 00:20:18,840
- It's too hard!
- And doesn't he think so?
194
00:20:18,980 --> 00:20:21,470
How were you in the days
before your period?
195
00:20:24,420 --> 00:20:26,650
A premenstrual monster.
196
00:20:27,620 --> 00:20:34,650
I would go to sleep as an angel,
and wake up as a demon.
197
00:20:35,100 --> 00:20:39,260
My mind gets shattered.
And it's very hard for me to get up.
198
00:20:39,400 --> 00:20:43,340
Dad is a morning person.
199
00:20:44,070 --> 00:20:46,270
And I yawned.
200
00:20:46,410 --> 00:20:50,940
We were working on
the fourth movement.
201
00:20:52,180 --> 00:20:56,170
That damned Hindemith wrote:
202
00:20:56,350 --> 00:21:02,480
"Lebhafte Viertel ohne jeden
Audsdruck und stets Pianissimo"
203
00:21:03,290 --> 00:21:06,490
- You know?
- It looks difficult anyhow.
204
00:21:07,430 --> 00:21:12,330
So I sat there with my
shattered mind and I tried.
205
00:21:13,700 --> 00:21:18,430
I begged him to let me off
the hook, to no avail.
206
00:21:18,670 --> 00:21:23,340
He made me play the same part
at least twenty times!
207
00:21:23,480 --> 00:21:28,640
Finally I said. quietly:
"I don't give a damn about this".
208
00:21:28,780 --> 00:21:33,240
I said that it wasn't a class,
it was animal torture.
209
00:21:33,390 --> 00:21:36,360
Henrik was also angry,
but he laughed and said that I should...
210
00:21:36,490 --> 00:21:40,480
try from the beginning, where it says:
211
00:21:40,630 --> 00:21:44,460
"Lebhaft, sehr markiert...
mit festen Bogenstrichen."
212
00:21:44,600 --> 00:21:49,400
I was so angry that I couldn't.
He said I was doing it on purpose.
213
00:21:49,540 --> 00:21:54,340
I said that he didn't have the
skills to teach: I was unfair.
214
00:21:54,480 --> 00:22:01,070
Dad is the most patient, sensitive and
courteous teacher there is.
215
00:22:01,480 --> 00:22:05,440
He said it had nothing to
do with the teaching,
216
00:22:05,590 --> 00:22:08,350
but rather with willpower
and discipline...
217
00:22:08,490 --> 00:22:12,320
and that I was lazy.
That I was lazy!
218
00:22:16,230 --> 00:22:21,170
Then I got up and left the
cello because I was trembling.
219
00:22:22,370 --> 00:22:28,140
I said that it was enough for the day
and that I was going out for a walk.
220
00:22:36,920 --> 00:22:40,910
He turned pale.
I'd never seen him like that.
221
00:22:43,390 --> 00:22:47,160
And he said:
"You're not leaving".
222
00:22:48,730 --> 00:22:52,260
I put my boots on and
headed for the door.
223
00:22:54,100 --> 00:22:59,300
I didn't hear him approach,
but he grabbed me by the shoulders...
224
00:22:59,440 --> 00:23:01,340
You're not leaving!
空水洼景 惊叫声 听回来的趟水声 见回来的趟水人
235
00:25:51,150 --> 00:25:57,080
Then I became aware that
from now on, I know nothing.
236
00:25:59,490 --> 00:26:06,260
I know nothing about my life,
what I'll do or become.
===================
639
01:14:23,420 --> 01:14:30,190
"Dear Henrik, I have to tell you
something of which we've never spoken".
640
01:14:31,830 --> 01:14:35,630
"I've wanted to talk
to you about Karin".
641
01:14:36,270 --> 01:14:41,500
"But it was never necessary
because I was always there".
642
01:14:42,570 --> 01:14:46,410
"Then I got sick
and I was there no longer".
643
01:14:47,550 --> 01:14:53,710
"Of course I was there,
but you kept me apart".
644
01:14:55,490 --> 01:15:02,450
"You and I love each other.
I was sure about our love".
645
01:15:04,230 --> 01:15:07,220
"But no love is strong enough...
646
01:15:07,370 --> 01:15:13,600
to stand a devastating
effect like my illness".
647
01:15:14,840 --> 01:15:20,540
"I see that you love Karin, but that
you also tie her to you".
648
01:15:22,080 --> 01:15:26,850
"It's good that you were her
teacher, but there's a limit".
649
01:15:28,650 --> 01:15:32,610
"When I'm no longer there,
the limit will be unclear".
650
01:15:33,760 --> 01:15:35,820
"I know that Karin loves you".
651
01:15:37,830 --> 01:15:43,600
"But you mustn't use her love.
You'll hurt her".
652
01:15:45,500 --> 01:15:48,600
"That could be a permanent wound".
653
01:15:51,280 --> 01:15:56,610
"That's why I ask
you to let her go".
654
01:15:57,650 --> 01:16:01,420
"You shouldn't take
advantage of her kinship".
655
01:16:01,750 --> 01:16:08,280
"Don't take advantage of her because
you're her self-proclaimed teacher.
656
01:16:11,160 --> 01:16:13,220
"Dearest Henrik".
657
01:16:14,430 --> 01:16:20,100
"You're so sensitive,
so considerate, so kind".
658
01:16:21,470 --> 01:16:26,340
"I know it, without a doubt,
after so many years together".
659
01:16:28,450 --> 01:16:32,850
"But you must be careful
not to burden Karin...
660
01:16:33,250 --> 01:16:38,620
with the orphaned love that will remain
when I'm no longer there".
661
01:16:41,560 --> 01:16:46,390
There's more,
but I don't want to read any more.
662
01:16:47,230 --> 01:16:51,030
I can't.
It hurts so much! （karin痛哭）
663
01:16:52,470 --> 01:16:55,410
I can hear my mother's voice!
664
01:17:01,680 --> 01:17:03,240
Karin...
665
01:17:04,780 --> 01:17:08,720
Why did you reach out to me?（其实marianne不想get involved）
666
01:17:09,290 --> 01:17:14,120
- You're very involved.
- You could say that.
667
01:17:14,760 --> 01:17:18,790
- And you know about granddad抯
plans. - He told me.
668
01:17:19,630 --> 01:17:25,540
I don't expect advise,
I need to hear my voice aloud.
669
01:17:25,770 --> 01:17:29,710
I believe things will
clear up this way.
670
01:17:29,840 --> 01:17:31,400
Go ahead, speak.
671
01:17:33,850 --> 01:17:40,220
- Mom saw.
- Yes, I think so.
672
01:17:40,550 --> 01:17:44,320
And everything she warned
about has happened.
673
01:17:45,460 --> 01:17:51,620
- I can't accept grandfather's
offer. - Why not?
674
01:17:52,060 --> 01:17:54,620
If I leave Henrik, he'll die!
675
01:17:56,630 --> 01:18:01,400
If I leave him, he'll die...
I'm sure about it, Marianne...
676
01:18:01,540 --> 01:18:05,410
He doesn't even have
his orchestra anymore!
纠葛 一个老年人 半夜起来
开始是呜呜的一种疼痛似的声音
834
01:36:35,420 --> 01:36:39,750
- What's wrong? Johan?
- I don't know.
835
01:36:41,630 --> 01:36:49,560
- I think it's anguish.
- Anguish? What do you mean?
836
01:36:50,800 --> 01:36:54,460
- I see! You're sad!
- I'm not sad...
837
01:36:55,510 --> 01:37:01,170
It's worse. It's an anguish
from hell. It's bigger than me.
838
01:37:01,950 --> 01:37:05,180
It's trying to make way through
every orifice in my body;
839
01:37:05,320 --> 01:37:13,880
my eyes, my ass. It's like a huge
mental diarrhea!
840
01:37:18,430 --> 01:37:21,450
I'm too small for this anxiety.
841
01:37:21,630 --> 01:37:23,360
Are you afraid of death, Johan?
842
01:37:23,530 --> 01:37:26,470
More than anything,
I'd like to scream.
843
01:37:26,700 --> 01:37:31,900
What can you do with a baby
that won't be comforted?
844
01:37:32,310 --> 01:37:36,410
- Come, lay by my side.
- There's no room.
845
01:37:37,710 --> 01:37:42,120
- We've slept in smaller beds.
- We won't be able to sleep.
846
01:37:42,590 --> 01:37:47,020
It doesn't matter. Not in
the last days of our lives.
847
01:37:47,160 --> 01:37:52,360
I have to take off my shirt.
It's damp from my diarrhea.
848
01:37:52,560 --> 01:37:54,120
Come on.
849
01:37:59,900 --> 01:38:02,700
You take it off too.
850
01:38:03,210 --> 01:38:04,470
Yes
====================
Thomas Adès (born 1971) is a British composer and pianist. You can find his transcription of Les baricades mistérieuses by Fran?ois Couperin on this EMI recording:
http://www.arkivmusic.com/classical/Drilldown?name_id1=2518&name_role1=1&comp_id=283&bcorder=15&name_id=66&name_role=3
For anyone interested in a piano recording of Les baricades (I prefer the original for the harpsichord myself!) there's an excellent recording by Alexandre Tharaud on Harmonia Mundi.
3 ) saraband
“萨拉邦德是一种慢速三拍子，强音在第二拍的舞曲，十五世纪起源于波斯，十六世纪流行于西班牙。曲调严肃、沉缓、庄重、哀伤，不重旋律性，以和声结构缓慢推展。博格曼在本片中选用巴哈大提琴无伴奏组曲第五号中的萨拉邦德舞曲，第五号组曲是巴哈六首组曲中最特别的一首，其中的萨拉邦德舞曲全以单音演奏，与其它用复弦演奏的组曲不同……”
影片的人物并不复杂，只有四个人---前妻玛丽安、老知识分子约翰、其子恩里克、孙女卡琳娜，萨拉邦德曲调贯穿全片，将电影分成主要以二人对话情景为主的9段，表达了四位主角复杂的心境和感受。玛丽安前去探望离婚几十年的约翰，发现他被孤独折磨着，虽然物质充裕、窗前有大好美景，但他显然并不快乐；恩里克怀才不遇，与父亲交流困难，关系一向不睦；卡琳娜才华出众，但在坚持理想问题上与父亲也有严重冲突；玛丽安在影片中担当着穿针引线的作用，她将摄影镜头连同观众的目光一一引导到这个祖孙三代的家庭，通过谈话逐渐挖掘出他们的内心，也逐一揭示了他们多年来形成心结的原因；另一个贯穿始终的核心人物是不露面的卡琳娜的母亲安娜，她沉静美丽、温柔可人、富有爱心，在这个家庭里，她是不可或缺的精神支柱，约翰因为这个媳妇而对儿子的态度有所缓和，恩里克在她逝世后几乎崩溃，卡琳娜更是深爱着母亲，她安抚、沉静的女性力量调和着家庭暴烈的气氛，他们各自爱着对方，但不懂如何表达。
影片开头和结尾都由玛丽安的独白完成，她将分割几十年的时空用照片和影象连接起来，叙述了关于爱恨在时间里的无力掌控，关于人们在不同关系里的碰撞。有时仅仅有爱是不够的，因为爱也会蒙蔽人的眼睛，我们更需要的是用心灵去看待世界看待他人。所以我们会有那么多痛苦，因为明知道有爱，也仍会质疑，因为我们无法原谅自己，就像无法原谅所爱的人一样。
有一个镜头印象很深刻：玛丽安在教堂碰到恩里克，谈话结束后，玛丽安在静默的灰尘光芒中徐徐回身，看到圣父怀中的圣子眼光无邪地瞪视着，有影射作用。
影片的人物并不复杂，只有四个人---前妻玛丽安、老知识分子约翰、其子恩里克、孙女卡琳娜，萨拉邦德曲调贯穿全片，将电影分成主要以二人对话情景为主的9段，表达了四位主角复杂的心境和感受。玛丽安前去探望离婚几十年的约翰，发现他被孤独折磨着，虽然物质充裕、窗前有大好美景，但他显然并不快乐；恩里克怀才不遇，与父亲交流困难，关系一向不睦；卡琳娜才华出众，但在坚持理想问题上与父亲也有严重冲突；玛丽安在影片中担当着穿针引线的作用，她将摄影镜头连同观众的目光一一引导到这个祖孙三代的家庭，通过谈话逐渐挖掘出他们的内心，也逐一揭示了他们多年来形成心结的原因；另一个贯穿始终的核心人物是不露面的卡琳娜的母亲安娜，她沉静美丽、温柔可人、富有爱心，在这个家庭里，她是不可或缺的精神支柱，约翰因为这个媳妇而对儿子的态度有所缓和，恩里克在她逝世后几乎崩溃，卡琳娜更是深爱着母亲，她安抚、沉静的女性力量调和着家庭暴烈的气氛，他们各自爱着对方，但不懂如何表达。
影片开头和结尾都由玛丽安的独白完成，她将分割几十年的时空用照片和影象连接起来，叙述了关于爱恨在时间里的无力掌控，关于人们在不同关系里的碰撞。有时仅仅有爱是不够的，因为爱也会蒙蔽人的眼睛，我们更需要的是用心灵去看待世界看待他人。所以我们会有那么多痛苦，因为明知道有爱，也仍会质疑，因为我们无法原谅自己，就像无法原谅所爱的人一样。
有一个镜头印象很深刻：玛丽安在教堂碰到恩里克，谈话结束后，玛丽安在静默的灰尘光芒中徐徐回身，看到圣父怀中的圣子眼光无邪地瞪视着，有影射作用。
4 ) 家庭伦理哲学道德自我剖白
伯格曼这部遗作是《婚姻生活》的后传，然而不管怎么看，都不仅仅是一部续写而已。很遗憾看之前没有看一下婚姻生活，真是太失策了。但是这个故事，就算不看前作也不会有丝毫不理解的地方。
伯格曼的一生，几乎所有作品都是对家庭、婚姻、哲学、道德等等命题的思考，可以看出来他想得很深，很多，表达出来就难免晦涩了。基本上他只表达自己想表达的，而观众根据电影自行理解，这时候你看到什么就是什么了。刚刚接触伯格曼，还没有对导演的作品以及生平很熟悉，希望接下来可以慢慢了解更多。
再说萨拉邦德。全片的自我剖白，非常震撼，简直是一个老人家把心剖出来给你看。关于家庭，他甚至还隐晦地讨论了乱伦这种伦理问题，这里是我唯一不太明白的地方。
说实在的全片看下来还是有些云里雾里，感觉还是应该结合导演生平还有其他作品一起分析才对。这是我看的第二部伯格曼的电影，明明刚接触，却一上来就看了遗作，也是考虑不周啊。
5 ) Saraband
（说明一下，我忘记同名旧帐号的密码了，不得已开了个新的。现在为了把我写的影评纳入新账号，只好出此下策，再贴一遍。）
伯格曼84岁高龄执导的片子，看得到伯格曼个人生活的影子。同样八十高龄的Johan那种stubborn、刻薄、精明和控制欲，似乎是伯格曼某种性格特征的投射。而Henrick与Karin父女间的掌控与反掌控、既爱又恨的情感，则让我想起Haneke的Piano Teacher里那对母女。不同的是，Karin最终挣脱了父亲的畸爱，冲出樊笼，重获人生。而Erika一边努力挣脱来自母亲的掌控，一边不由自主地陷入另一种权力争斗，最终沦为权力结构的双重牺牲品。
Anna，伯格曼好像钟情于叫这个名字的女人。拥有这个名字的女人似乎总是爱的化身。在Cries and Whispers里，作为女仆的Anna用她无私的爱努力维护住主人一家行将瓦解的亲情关系。在这部电影里，Anna的爱如同神的光，照射在每个人身上。前一个Anna遭到不公正的对待，而这部影片里的Anna却得到较好的结果，被两代人共同怀念和追悼。连与她素未谋面的Marianne也不禁怀想：Anna经历过什么？她走路的姿势怎样？她笑起来是什么样的？
这个已经不在的人，仿佛一颗最精巧的螺丝钉，把零散的人物和事件钉在一起，不叫它们失散。又像用圆规作图时那个不动的支脚，是一切的中心，电影里所有的人物都和她直间或间接有关，都受到她直接或间接的影响。即便在死后，她仍然统领着房子里的每个人。这一点又有点像《蝴蝶梦》那个从未出现过的 Rebecca。伯格曼在片花里说，他拍这部电影的初衷与他最后一任妻子Ingrid 的去世有关。那时，他对着亡妻的照片想，从此我再也见不到Ingrid了！这样他开始构思这样一部电影。凑巧的是，在影片里频频出现的Anna的照片，正是Ingrid本人的遗照。在我想来，这是伯格曼刻意的精心安排。Anna逝去，Johan家中所有的快乐都失去了，家庭面临分崩离析，每个人都感到孤独异常。Ingrid去世留给伯格曼的大约也是此类感受。那因为Ingrid而存在的完满世界，从此不再。斯人已逝，情何以堪。
有人说，伯格曼的电影主要有两大主题，一是关于信仰的，主要是上帝是否存在，上帝存在的意义，人和上帝的关系等等。二是关于人和人的交流、关系。同样的主题也出现在 saraband这部影片里。让我印象极为深刻的一幕是，Marianne 在小教堂与Henrik无意相遇，那时Henrik在弹奏风琴。随后，就在那个教堂的耶稣像下，Henrik表达了对亲身父亲的憎恨，并辱骂了无辜的 Marrianne。如果我没有记错，在这段情节发生前，镜头扫过教堂里的圣像，一切都显得那么圣洁、宁静、美丽，与随后Henrik因仇恨而扭曲的面庞、痛苦的眼神、以及诅咒的话语形成了无声的对比。我想，伯格曼是绝望的，对神的万能，对人可以被拯救的信念。对比《Winter Light》里，那因为神的沉默而痛苦的Ericsson，Henrik的痛苦是更无药可救的。他已经决定彻底沉沦。
Karin真的能把这个阴霾的家甩在身后吗？她会为自杀的父亲回来吗？伯格曼没有告诉我们。我想这也正是他高明的地方。露出一半永远比全部露出来要诱人，伯格曼在给扮演Karin的演员讲戏时，特别这样提到。我想这也是他的作品的一个迷人之处。
伯格曼84岁高龄执导的片子，看得到伯格曼个人生活的影子。同样八十高龄的Johan那种stubborn、刻薄、精明和控制欲，似乎是伯格曼某种性格特征的投射。而Henrick与Karin父女间的掌控与反掌控、既爱又恨的情感，则让我想起Haneke的Piano Teacher里那对母女。不同的是，Karin最终挣脱了父亲的畸爱，冲出樊笼，重获人生。而Erika一边努力挣脱来自母亲的掌控，一边不由自主地陷入另一种权力争斗，最终沦为权力结构的双重牺牲品。
Anna，伯格曼好像钟情于叫这个名字的女人。拥有这个名字的女人似乎总是爱的化身。在Cries and Whispers里，作为女仆的Anna用她无私的爱努力维护住主人一家行将瓦解的亲情关系。在这部电影里，Anna的爱如同神的光，照射在每个人身上。前一个Anna遭到不公正的对待，而这部影片里的Anna却得到较好的结果，被两代人共同怀念和追悼。连与她素未谋面的Marianne也不禁怀想：Anna经历过什么？她走路的姿势怎样？她笑起来是什么样的？
这个已经不在的人，仿佛一颗最精巧的螺丝钉，把零散的人物和事件钉在一起，不叫它们失散。又像用圆规作图时那个不动的支脚，是一切的中心，电影里所有的人物都和她直间或间接有关，都受到她直接或间接的影响。即便在死后，她仍然统领着房子里的每个人。这一点又有点像《蝴蝶梦》那个从未出现过的 Rebecca。伯格曼在片花里说，他拍这部电影的初衷与他最后一任妻子Ingrid 的去世有关。那时，他对着亡妻的照片想，从此我再也见不到Ingrid了！这样他开始构思这样一部电影。凑巧的是，在影片里频频出现的Anna的照片，正是Ingrid本人的遗照。在我想来，这是伯格曼刻意的精心安排。Anna逝去，Johan家中所有的快乐都失去了，家庭面临分崩离析，每个人都感到孤独异常。Ingrid去世留给伯格曼的大约也是此类感受。那因为Ingrid而存在的完满世界，从此不再。斯人已逝，情何以堪。
有人说，伯格曼的电影主要有两大主题，一是关于信仰的，主要是上帝是否存在，上帝存在的意义，人和上帝的关系等等。二是关于人和人的交流、关系。同样的主题也出现在 saraband这部影片里。让我印象极为深刻的一幕是，Marianne 在小教堂与Henrik无意相遇，那时Henrik在弹奏风琴。随后，就在那个教堂的耶稣像下，Henrik表达了对亲身父亲的憎恨，并辱骂了无辜的 Marrianne。如果我没有记错，在这段情节发生前，镜头扫过教堂里的圣像，一切都显得那么圣洁、宁静、美丽，与随后Henrik因仇恨而扭曲的面庞、痛苦的眼神、以及诅咒的话语形成了无声的对比。我想，伯格曼是绝望的，对神的万能，对人可以被拯救的信念。对比《Winter Light》里，那因为神的沉默而痛苦的Ericsson，Henrik的痛苦是更无药可救的。他已经决定彻底沉沦。
Karin真的能把这个阴霾的家甩在身后吗？她会为自杀的父亲回来吗？伯格曼没有告诉我们。我想这也正是他高明的地方。露出一半永远比全部露出来要诱人，伯格曼在给扮演Karin的演员讲戏时，特别这样提到。我想这也是他的作品的一个迷人之处。
6 ) 《萨拉邦德》: 爱的缺失
2003年，八十五岁的瑞典导演英格玛•伯格曼为瑞典国家电视制作了电视电影《萨拉邦德》。这部电影是他1973拍摄的电影《婚姻即景》的续篇。《婚姻即景》细腻而深入的探讨了当代中产阶级夫妻的各种情感问题和冲突。上映后获得很大成功，引起社会广泛讨论。时隔30年，伯格曼再次带领观众走入已到暮年的主人公的情感生活中，此时女主演的扮演者丽芙•乌曼63岁，男主演的扮演者厄兰•约瑟夫森76岁。 萨拉邦德是巴赫的一组舞曲。影片中卡琳娜正在学习的即是这种乐曲。 萨拉邦德源自一种西班牙舞曲,这种乐曲曲调严肃沉缓，庄重哀伤，不重旋律性，以和声结构缓慢推展。在这样的音乐中，从不和谐的开始，隐约可以看到哀伤而又无奈的结束。
伯格曼秉承着以往一贯的对爱的匮乏的主题的探讨。在伯格曼看来，爱是唯一能够拯救人类的力量，但是爱的匮乏是人类在文明过程中付出的代价。他的作品往往都有一个残疾角色或垂死的人，这些眼前的残疾和即刻的垂危，都是人们内心疾病的外现，人们丧失了爱和被爱的能力，失去了信仰和方向。
影片除去序曲和尾声，共十小节。分别是探访、卡琳娜的倾诉、关于安娜、亨利和约翰、巴赫、抉择、安娜的信、萨拉邦德、残酷的一刻、破晓之前。影片的人物关系全部用双人对话这种人物沟通的最小单位的方式呈现，卡琳娜的选择是影片的主线，卡琳娜的反抗、犹豫、出走构成了故事的大部分的内容，期间，伯格曼深入细致的分析了恩里克对卡琳娜畸形的爱、约翰与恩里克的对峙、约翰对玛利安的需要。 卡琳娜 卡琳娜是美丽的，蓝色的眼睛，细致的脸庞，金色的头发在身后扎起一条漂亮的辫子；卡琳娜是有主见的，知道自己是需要在乐团里工作，而不是成为一名独立演奏者；卡琳娜是勇敢的，她拒绝接受父亲和祖父的安排，选择去和朋友到德国的青年训练营。 当卡琳娜与恩里克就选择发生争执，卡琳娜用力挣脱恩里克的臂膀，在林中拼命奔跑，滚下斜坡，此时镜头落在坡下的浅水旁，卡琳娜跃过浅水，在镜头外，卡琳娜大声的呼喊发泄，镜头内只留下水面泛起的浅浅波纹。如此充满生命力的女孩怎能被禁锢，被伤害？这样的女孩应该是被祝福的，而不应背负道德上的谴责。 恩里克 在妻子安娜眼里，恩里克，敏感、体贴、充满了爱；在女儿卡琳娜眼里，恩里克，对自己管教严厉却很温柔；而在父亲约翰眼里，恩里克，是如此的肥胖，如此的充满热情，从来就不是自己喜欢的人。 恩里克的心里汇聚着过度的爱和极度的恨。恩里克始终无法宽容父亲约翰，对约翰充满了恶毒的诅咒，恨使恩里克早已陷入生命的孤岛，是安娜的爱救了恩里克，但安娜无法改变恩里克。安娜死后，平衡被打破，一切又恢复原样，恩里克对约翰的恨还在，对卡琳娜的爱也变成畸形。当恩里克觉得活着变成了习惯，卡琳娜变成自己活下去唯一的理由时，结局注定是一场悲剧。影片接近尾声，当卡琳娜离开后，恩里克彻底绝望了，恩里克吞下大量安眠药，割破自己的手腕和脖子，被人发现赤裸着身子躺在屋里。看看周围，在我们之间有多少人不是也同恩里克一样生活在生命的孤岛上么？ 约翰 晚年的约翰，孤独的住在森林深处的别墅里，远处的风景美的像风景明信片。约翰很富有，还是一样的自私。在他心中，爱早已枯萎，只剩躯壳，活着只是一种习惯。他亏欠恩里克么，亏欠玛利安么？他无法面对自己，只有躲在书房里，躲在贝多芬的音乐里，耗尽最后一点生命。 玛利安来了以后，约翰一直困扰着。终于一天晚上，焦虑占据了他的整个身体，深夜，他穿着睡衣，站在玛利安的房间外，却没有勇气打开房门，又不愿离开，只是蜷缩在地上抽泣。一个八十多岁的老人像个孩子一样蜷缩在那里抽泣。这是最让我动容的一节。后来，约翰还是打开了房门。站在玛利安面前，约翰极力掩饰着自己的不安，做作的笑声。玛利安让约翰躺在自己的身边，约翰脱去了衣服，玛利安也脱去了衣服。当玛利安脱去衣服的时候，光虽在玛利安的身后，但脸上有着柔和的光影，有一种圣洁的美。最后，约翰和玛利安赤裸的躺在一张床上。此时，有种坚硬的东西在溶化。玛利安离开后，约翰和玛利安一段时间后就断了联系。一个人永远无法改变另一个人，该在的还在。 玛利安 玛利安的两个女儿，一个在澳大利亚，平时只是电话和书信往来；另一个却逐渐认不得任何人了，住在精神病院里。玛利安老了，人际的疏远，心灵也开始麻木。当玛利安捧着安娜的照片，似乎又重新感到体内某种东西的存在。当玛利安再次去看病院里的女儿时，玛利安又感觉到了她的女儿的存在。抚摸着她的女儿的面庞，玛利安泪流满面。 安娜 安娜是影片的核心。在安娜死后，一切开始变得失控，像约翰所描述的，比黑暗更加黑暗。这里有一个显然的隐喻，安娜自己大约正是“生命中最难解之谜”的答案。影片最后，玛丽安捧起安娜的照片，也不禁想象着安娜说话的样子，走路的样子。相框里沉默微笑的安娜，就是那缺失的爱。她存在过，也将继续存在。这也许就是伯格曼想告诉我们的吧。 2007年7月30日（瑞典当地时间），英格玛•伯格曼于法罗岛逝世，享年89岁。
大师的最后一部电影，肯定不是最好的一部。一辈子都快过完了的时候，伯格曼还是拍了和以往感觉一样纠结的家庭伦理片。这片不像是个总结陈词或者最新感悟（相对于重出山而言），更像是一个重述。
不可思议的最后一部。
Avec simplicité et puissance, Bergman nous livre un film testamentaire allant directement à l’essentiel des conditions humaines.
婚姻生活探讨夫妻，萨拉邦德探讨家庭。10小节双人对话几乎穷尽家庭里的一切关系形态，玛丽安困在过去，约翰困于自我，恩里克困于悲伤与愤怒，卡琳困于良心和内疚，像耶稣爱犹大一样爱着所有人的安娜，才是答案。
伯格曼觉得自己已经成精了，拉了一把，那批人也就都成精了。
《愛在午夜希臘時》：生活。《麥迪遜之橋》：生活後。《夕陽舞曲》：後生活。
伯格曼让两位老搭档来出演男女主，特别是与丽芙·乌曼还有特殊的关系（與其同居六年且育有一子）的背景下，我觉得这种安排是有私心的，厄兰·约瑟夫森扮演的约翰，就是其本人晚年的映射，或者说是替代。这从开头安排丽芙·乌曼主动来看约翰，到结尾与丽芙·乌曼同床共枕旧梦重现，应该是晚年伯格曼心态的真实写照和想法。
伯格曼遗作。延续《婚姻生活》的人物讲述的全新的故事。伯格曼借约翰与他儿子的角色，在电影中重新审视了自己与孩子、与父亲的关系，并用几近冷酷的方式宣布“自己从未爱过孩子”，也绝情地表达了自己对父亲无法和解的厌恶。爱情已经不是年迈的伯格曼想要讨论的内核，亲情也许才是伯格曼人生结束前化身魔鬼煎熬他的东西。亨里克与女儿卡琳舌吻的镜头有恶心到我。卡琳演员演技太差了…
3.8 生活最後留給我們的是沒有辦法言述的安靜，是造物裡的一片風景。安娜的不多言和行動中的愛盡是所有人心中的最柔軟處。（卡琳的表演太出戲了⋯）
伯格曼最后的电影。漫长的爱伴随着无尽的惩罚。
不是我最爱的伯格曼，但关于人与人情感的刻画依然令人动容。这种情感包含着人与人之间的冷漠、隔阂、疏远，也包含着扶持、和解、解脱，这似乎是伯格曼电影一辈子的主题，怕也是李安喜欢他的原因。看着那些演员逐渐老去，容颜不在，也特别令人感怀。
安娜的照片安娜的故事安娜的信安娜的话~
所有事件围绕着安娜的缺席，所有互相折磨的灵魂等待着母性的安抚。所有房门自动关闭，玛丽安被困在三代人错综复杂罪孽深重的漩涡中，从观察者成为替代者——提供母性和静默倾听的人。男人天性暴烈而脆弱，孜孜以求的“奇迹”不过是在一个沉默的容器内填满对自己的恨意，他们的爱情像是在女儿的身体里追忆母亲的乳香。他们对同类毫无怜悯，无论是否和自己一样孤独，累积的经验智慧加重了对羞愧的敏感度，因此镜子里只能看到歇斯底里的焦虑，更莫说静默者从坟墓发出的预言，宣告了维持男性存在的一切谎言之终结——比起芬-亚扩大到父权、宗教等社会层面的对性别的反思，这更是完全暴露自我的让人胆战心惊的自省啊。
老伯还是那么细腻，画面很美；难道人只有到了两鬓斑白垂暮之年，才能学会淡然？
老而弥坚
三星半。伯格曼最后一部晚年的醒悟。通过外人的访入来讲三代人三个人的亲情还是通过常用的场景对话。儿子这个角色太伤感了人生巨大的失败充斥着父亲和女儿的“爱的伤害”当然伤害是互相的忘不了那震惊绝望哀伤略带乞求的眼睛特写。一个拥抱能带来什么？
廉颇老矣...
他已经七十几岁，终于能够面对自己，能够对着镜子展示并看清楚自己的恐惧与挣扎，并毫无掩饰地示弱，寻求原谅。企望被原谅，被安慰，被包容，被呵护，女性、妻子、妈妈，这时成为最恒久、仁慈、忍耐的象征。巴赫第五号大提琴无伴奏组曲Saraband
伯格曼的生日看完他最后的作品。痛苦，还是痛苦，《婚姻生活》的续集，这次辗转来回更多是家庭、父子、爱人之间的折磨与控制。我想靠近你，我一直想，可是无法和解无法救赎。父亲宛如《野草莓》里的伊萨克和《秋日奏鸣曲》的母亲的混合体，对儿子的冷漠，对世界和死亡的恐惧：“他做什么都失败，自杀都死不了。”
几十年远离人群独居的生活，一个费罗岛怎么能承载一颗如此怦然跳动的灵魂？我用短短几年来看一个导演的60年，又怎么能真切地领会那沉甸甸的生活内涵。我更难想像伯格曼的同龄人在看《萨拉邦德》时的表情，当生命融入电影，我找不到合适的入口，那不是电影，是他的命，是他的遗嘱。