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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.恶魔化身Santo第一季故宫里的大怪兽之洞光宝石的秘密酒店危机陷阱2014如果我留下哈桑的义务街角胜利大逃亡麦兜故事火龙对决甜心格格第三季我前任男友的婚礼白头神探2恐怖的气味中华英雄之风云再起莱卡英雄本色新纽扣战争阿拉姜色飞机陷落爱情限时恋未尽桃花劫一道爱情请慢用黄蜂第一季最长1枪马耳他之鹰罗莎夫人周末出片大会·东山专场大追捕(粤语版)布鲁斯特的百万横财1985花漾终成寡妇双峰第三季整形医生神探罗蒙3刺儿头心碎高中 第二季切尔茜有话说初音岛II S.S.心理追凶 第六季爱无国界赛璐路壁橱侠探杰克：永不回头十个小情妇都柏林动物安乐战场
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.恶魔化身Santo第一季故宫里的大怪兽之洞光宝石的秘密酒店危机陷阱2014如果我留下哈桑的义务街角胜利大逃亡麦兜故事火龙对决甜心格格第三季我前任男友的婚礼白头神探2恐怖的气味中华英雄之风云再起莱卡英雄本色新纽扣战争阿拉姜色飞机陷落爱情限时恋未尽桃花劫一道爱情请慢用黄蜂第一季最长1枪马耳他之鹰罗莎夫人周末出片大会·东山专场大追捕(粤语版)布鲁斯特的百万横财1985花漾终成寡妇双峰第三季整形医生神探罗蒙3刺儿头心碎高中 第二季切尔茜有话说初音岛II S.S.心理追凶 第六季爱无国界赛璐路壁橱侠探杰克：永不回头十个小情妇都柏林动物安乐战场